This paper presents and analyses Kantian notes on finite intuition and imagination in La question anthropologique. The analysis of Foucauldi’s pronouncements on the non-anthropological character of Kantian critique, on the necessity of a non-sensualist interpretation of finite intuition and, finally, on ‘imagination’ as the - necessarily mythical - name designating the foundation, itself originally synthetic, of the transcendental synthesis, he will show the ontological significance of the note on Kant in LQA, the critical yields that derive from the strange ‘position’ of this thinker in the history of the emergence of the question of man and the extreme closeness of the young Foucault to the approaches of Heidegger’s book on Kant.
