Art and Interpretation: Luigi Pareyson’s onthological originating perspective

Abstract

The scope of this paper is to explain the interpretive core of the artwork and its ontological precept. It starts from the principle that it is the ontological character of interpretation that allows the dialogue between the artist and the conjuncture involving the making, the interpreter, and the artwork. Thus this is, however because the artifice of the work of art in itself, suggests something new, legitimate. That particular feature explains the continuous interpretation process, this, in turn, secures both the interpretive character and the ontological code of art. Nevertheless, following Pareyson argument, the interpretive character is present in every human relationship. This relationship is essentially originating; the idea is state that this originality explains the ontological character of all interpretation, whatever it may be, and at the same time, it is understood that the original bond of interpretation unifies person and truth, and this according to Pareyson means the core of the interpretation concept